In the twelfth century, a girl from Udutadi (ಉಡುತಡಿ) in the Shivamogga hills refused the life that had been arranged
for her, walked out of her hometown, and kept walking across
Karnataka — singing. Her songs are vachanas (ವಚನ): short, plain-spoken Kannada poems, addressed without ornament
to the ಚೆನ್ನಮಲ್ಲಿಕಾರ್ಜುನ (Chennamallikarjuna)
she loved.
She stood among the poet-saints of the Virashaiva world —
Basavanna's gatherings at Kalyana, Allama Prabhu's questions — and
argued as their equal, which the century did not expect of a woman
and she did not care. Tradition holds that her road ended at
Kadali, where she is said to have merged with the one she had been
singing to all along.
We are not saints and we are not wandering. But we keep her habits
where we can: speak plainly, hold the door open for the next
woman, and let devotion be something you can carry — a song at
dawn, a stitch in the evening — rather than a performance. Our
vachana circles often begin with one of her poems.